Five cycles of practice
Each cycle represents a period in which my architectural thinking developed through a particular professional environment, set of influences, and body of work. The projects within each cycle are not isolated commissions — they are evidence of a continuing investigation into how architecture becomes a human experience.
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James Stewart Polshek & Partners
Practice, teaching & inquiry
Early formation in public architecture, digital representation, and teaching. Working within one of New York's most civic-minded practices while beginning to explore choreography as a spatial methodology.
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Gwathmey Siegel
Formal discipline & architectural language
Immersion in the formal discipline of geometry, landscape, and modern residential architecture under Charles Gwathmey. The lessons of this period — proportion, composition, and the relationship of building to site — shaped the work that followed.
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Independent practice + teaching
Developing an independent voice
A period of independent authorship combining residential practice in Montclair with teaching at NJIT and Yale. Houses became laboratories for contemporary domestic experimentation.
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Rafael Viñoly → urban practice
Structure, scale & the city
Work at civic and urban scale — monumentality, structure, rhythm, and the choreography of large institutional and mixed-use environments across New York and beyond.
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Corgan
Aviation, public experience & architectural voice
Architecture at infrastructure scale — airports as choreographed civic journeys. JFK Terminal 6 as the primary expression of movement, sequence, orientation, and the passenger experience as spatial narrative.