Five cycles of practice

Each cycle represents a period in which my architectural thinking developed through a particular professional environment, set of influences, and body of work. The projects within each cycle are not isolated commissions — they are evidence of a continuing investigation into how architecture becomes a human experience.

 
  • James Stewart Polshek & Partners

    Practice, teaching & inquiry

    Early formation in public architecture, digital representation, and teaching. Working within one of New York's most civic-minded practices while beginning to explore choreography as a spatial methodology.

  • Gwathmey Siegel

    Formal discipline & architectural language

    Immersion in the formal discipline of geometry, landscape, and modern residential architecture under Charles Gwathmey. The lessons of this period — proportion, composition, and the relationship of building to site — shaped the work that followed.

  • Independent practice + teaching

    Developing an independent voice

    A period of independent authorship combining residential practice in Montclair with teaching at NJIT and Yale. Houses became laboratories for contemporary domestic experimentation.

  • Rafael Viñoly → urban practice

    Structure, scale & the city

    Work at civic and urban scale — monumentality, structure, rhythm, and the choreography of large institutional and mixed-use environments across New York and beyond.

  • Corgan

    Aviation, public experience & architectural voice

    Architecture at infrastructure scale — airports as choreographed civic journeys. JFK Terminal 6 as the primary expression of movement, sequence, orientation, and the passenger experience as spatial narrative.